The essay aims to retrace the formative years of Renato De Fusco, when he, together with other Neapolitan Artists, is part of the
MAC Movimento Arte Concreta. The national movement and its
Neapolitan ramifications had a considerable importance in the
post-war period in the early 1950s, through a series of exhibitions, including those held at the Galleria Nazionale d’Arte
Moderna di Roma in 1951 and at the Gallery Blu di Prussia in
Naples in 1952. More than his mere work as a painter, testified by
significant works, from that moment onwards it’s important to
recognize the commitment to building his peculiar critical and
methodological approach towards the complex culture of our
time
